The Dutch Renaissance

Comparison of the Female in Two Works of guile from the Dutch RenaissanceGerrit Dou and Johannes Vermeer were two Dutch painters who lived and worked during the seventeenth century . Dou , a student of Rembrandt , was popular for his little greatly refined movies fleck Vermeer was a local artist from Delft and was known only as a local artist until centuries after his death . objet dart both(prenominal) artists were a huge distance apart in their semi-formal training and fame , they both depicted the female in a realistic mannerGirl Chopping Onions by Dou is typical of his style . His subjects be predominately well- lighted by candle decipherable where at that place is a sacrosanct contrast between lightlys and darks which is characteristic of his teacher Rembrandt . The screen background of the painting is dark and much of the room is in shadows . up to now , thither ar objects that stand out from the darkness . in a higher place the master(prenominal) subject of an adolescent girl chopping onions at that place is a light fixture while a shelf with a mortar and pestle , a chicken waiting to be hustling , and walls that reflect the green frameworks in the room surround her . A b ar window allows only a slight move in of light into the room . A young boy who is evidently of a different socioeconomic class than the girl is a minor subject to the painting He is lavishly lissom in what appears to be velvet and plumes while the girl is in a modest work dressThe material of the bodice of her dress is bills which is utilise in two very different typic ship canal in the painting . The rich gold food colouring material is an earth tone which symbolizes the work of the young woman . Onions argon grown in the earth , the earth produces aliveness as does the female body There is n othing about her feel that is glamorous or ! elaborate instead she is more of an ill-mannered person . The other symbolic meaning of the gold smoothen of her attire is that she is as valuable to the running of the household as the precious metal of the same glossiness . The green framework draped around her waist is reminiscent of royalty although there is certainly nothing royal about the girl . The tweed of the material in her cap and around the neck and core frames her facial gesture in innocence so that the sweetheart volition know that she is a maid and that her work and intentions ar pureThe face of the girl is the focal point of the painting . Her tinct is light andwhich contrast the darkness of the background . Her eyeball are the dominant feature of the face because they stare out at the viewer . Her brows and lashes are almost xistent which draws attention to the size and color of her eyes . There is a minimal amount of lite ash-blonde curls from her cap that accentuates her face and neck . While her give up is not jovial , she seems satisfied with her workThe Milkmaid by Vermeer overly uses a female subject...If you want to get a overflowing essay, evidence it on our website: OrderEssay.net

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