The Disintegration and Persistence of the Memory

Inside center from the painting is really a deformed figure that could possibly be Dali, with a clock melting more than it. Three other clocks melt inside foreground - a dark, desert-like flatland. The painting is Dali's psychology, manipulated by his memory. Ants - a sign of decay - overrun one from the melting clocks. In fact, everything in the painting except to your immovable background means decay and impermanence. This was Dali's intention, his way of demonstrating the impermanence of time but the persistence of memory (Theranger, 2004, p. 1).

Nonetheless, the particular value of Dali's "The Persistence of Memory" stands out as the way it changes in his 1952-1954 painting titled "The Disintegration with the Persistence of Memory." After Dali painted "The Persistence" just before the second globe war, some scholars argued that his theme in the impermanence of time addressed Einstein's theories concerning the relativity and subjectivity of space and time (Theranger, 2004, p. 1). Dali only bolstered this argument after he revisited "The Persistence" following the World War II. Right after the united states dropped the atomic bombs on Hiroshima and Nagasaki, Dali declared that "[a]fter the very first globe war, [artistic direction] was psychology; right after the second globe war, it's physics" ("I am Surrealism," 2004, p. 1). As 1 scholar has noted, after WWII, Dali now believed that artistic interpretations ought to be concerned with "the globe of phenomenal reality" instead of th

e artist's subjective unconscious ("I am Surrealism," 2004, p. 1). Thus, he revisited "The Persistence" and reinterpreted it according to his post-war understanding on the instability in the physical world.

Theranger, E. (2004). The Persistence of Memory. Pennsylvania Region University. <"http://www.personal.psu.edu/users/c/e/ceu104/Persistence.html">.

3D-Dali. The Disintegration on the Persistence of Memory. 3D-Dali.com <"http://wgonz.addr.com/Tour/desintegration.htm">.

The shattering effect in "The Disintegration" is Dali's attempt to portray the always moving atomic particles that make up the globe as well as the shattering effect on the disintegration of such particles (Salvador Dali Museum, 2002, p. 1). Yet his Spanish hometown again remains unmoved from the background. This can be Dali's way of illustrating the effects in the atomic bomb on his world, his memory and himself. The atomic bomb shattered his world. It also shattered him, as demonstrated by the disintegration with the figure inside the foreground believed to represent Dali. Yet, his memory remains persistent, as demonstrated by his hometown even now during the background.

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